Largely propelling me forward are the absolutely gorgeous environments. While the characters are fairly basic at the moment, I’m at the very beginning of what is a two-part story, with this first part being approximately 20 hours long. An Ode to Final Fantasy XIII’s Oerba Dia Vanille.Sony Shutting Down Old PlayStation Stores Portends a Dark Digital Future.The 10 Best Weapon Names in Monster Hunter Rise.I’m looking forward to listening to the songs that have encouraged him to feel so confident in this particular soundtrack. While I’ve only heard a fraction of Fantasian’s soundtrack, what I have heard is wonderful - as if anything less could possibly be expected from Uematsu. I can even already see why Uematsu believes it’s his best soundtrack yet. I’m having fun playing a classic RPG like this one again. I’ve played roughly three hours of Fantasian and I’m enjoying it a lot so far. Once you reach a certain number of monsters transferred (currently at the start it’s 30), you travel to that dimension to fight them. This frees you of constant random encounters (perhaps the one aspect of classic RPGs that I’m happy to fully move on from). This land and its machines are increasingly infected by the Mechteria, an expanding hole in the sky that lures humans in to absorb their life energy.įantasian is a classic RPG in many regards, but it has unique “Dimengeon Battles” that let you warp enemies you’ve already faced to an alternate dimension. He soon embarks on a journey to rediscover his memories in an alien land populated by machinery. You play as Leo, an amnesiac who awakens in a factory with little recollection of how he got there. On April 1, Sakaguchi’s first RPG in over a decade surprisingly launched on the Japanese Apple Arcade platform. It was released on the US platform the following day.ĭeveloped by Mistwalker - the studio Sakaguchi formed in 2004 after departing from Square Enix - Fantasian is a tale that centers on multiple dimensions, the balance of Chaos and Order, and memories. I think hearing music reinterpreted often affects how I view the original music itself.Just last week, we wrote about how Final Fantasy creator Hironobu Sakaguchi recently said Fantasian might be the final collaboration project between him and iconic composer Nobuo Uematsu. I wonder when we'll start seeing fan or official covers/remixes of things like the Fantasian soundtrack. So I welcome his different direction and will happily listen to Fantasian for years to come. Not that I'd wish him to return to that style, it's his work after all, and perhaps there's just no topping what he managed in that same style. I think he's an incredible composer (my favourite ever) with a very wide range but I think he has a strength that he used to full effect during his Final Fantasy days that produced what I consider his best work. Personally, I do lean more towards his excellent melody driven FF music. So later works have often seemed to take away emphasis on music lead by a strong emotional melody and instead focused on other aspects, though the melodies are still good. Since he left Final Fantasy, I think Uematsu has been keenly aware that his music is widely known for focusing on really good melodies and perhaps he feels he became a little too predictable and familiar. One thing that stands out to me though is the way melodies are treated. I only wonder how my opinions might be shaped if I actually played the game. I still wouldn't put it on the level of his best work, but it's incredible nonetheless. After so much time and listening, I've really come to appreciate most of this OST. Now I'm listening to the soundtrack again after buying the official release. So after my slight initial disappointment, I quickly began to re-listen to the whole soundtrack, knowing that I could probably enjoy it and began noticing many small callbacks to Final Fantasy and other works including his Phantasmagoria album. I enjoy much of his music post-FF (and pre-FF) but I never felt it quite reached the heights of his best FF work. I know Uematsu has continued to make music after Final Fantasy and I've followed his and Sakaguchi's work as much as I can. I'd heard it was said to be his best work yet (and possibly his final videogame soundtrack) and although I realise that a creator might have a very different view on their work (and of course that opinions vary), I couldn't help thinking of my favourite FF soundtracks and expecting something similar. I've since purchased the official release and it's beautiful.Īt first, I was slightly underwhelmed. Unfortunately I've never played the game, since I don't own any Apple devices, but as soon as the music rips appeared, I started listening.
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